hello@marijnbril.work | Instagram | LinkedIn


is an independent curator and researcher in the field of contemporary art with a special focus on network cultures. Her research explores topics such as systems, productivity, memes, artistic strategies, archiving, and knowledge production and materialises in the form of exhibitions, discursive programs, talks, and essays.


Marijn has curated programs and exhibitions for IMPAKT Centre for Media Culture, Art Central Rotterdam XL, The Wrong Biennale, and CIVA Festival. Her essays have been published by Mister Motley, rekto:verso, the Institute of Network Cultures, Archined, and VIEW Journal. Additionally, she has delivered talks at V2_Lab for the Unstable Media, the RE:SOURCE Media Arts Histories conference, the Young Curators Academy, and iMAL.


She holds an Erasmus Mundus Joint Excellence Master’s degree in Media Arts Cultures, awarded by the University for Continuing Education Krems (AT), Aalborg University (DK), and The University of Łódź (PL).


Out of Office This isn't working for us (IMPAKT Centre for Media Culture)
Exhibition and public programme (Utrecht, NL, 10.02–30.04.2023)



Exhibition view Out of Office, work by Adrian Melis. Photo: Pieter Kers | Beeld.nu

Our schedules are packed. We define ourselves by our work. And we are constantly exhausted. The excesses of today’s technology-driven work culture are familiar to everyone – efficiency has become the norm and permanent availability a given. From 10 February till 30 April 2023, the IMPAKT Exhibition Out of Office presents a collection of artistic responses that reveal, rethink and reject the constant drive towards exploitative productivity. How can we carve out space to catch our breath?

Technological advances didn’t create a future that frees humans from labour after all. Instead we see management algorithms optimising labour efficiency without concern for the people who do the work. We see apps and platforms pushing us to become the ‘best’ (read: most productive) version of ourselves. In our current neoliberal society, we’re constantly either working or thinking about work, or else feeling guilty about not working. The title Out of Office will be familiar from those auto-reply emails informing us of the sender’s non-availability, but it can also be read as a reference to how work follows us wherever we go. The pandemic accentuated existing problems on the labour market, and opened the eyes of many. People started to reconsider their priorities in life and work and new terms like ‘the great resignation’ and ‘quiet quitting’ are now common.

The artists in the exhibition reflect on their own position and current conditions in the workplace. They question standard practices and explore the subversive potential of conventions such as the auto-reply, the CV and the eight-hour workday. Jobs requires us to perform – in the sense of successfully carrying out desired tasks but also in the sense of acting. Building on this inherent performativity of the roles we take up at work, Out of Office explores actions for critique and resistance. In the modern workplace context, doing nothing, not showing up, or gestures of mutual support become acts of resistance against a system in which profit, efficiency, and optimisation are central. How to extend such resistance to foster collective action and solidarity?

With artworks by Alina Lupu, Sam Meech, Adrian Melis, Mario Santamaría, Tytus Szabelski, Pilvi Takala, Total Refusal, 996.icu – performance by Noa Marthe Prins – workshop by Platform BK

Exhibition design by Zalán Szakács

With support of City of Utrecht, Creative Industries Fund NL, Mondriaan Fund and Fentener van Vlissingen Fonds.

Exhibition view Out of Office, work by Adrian Melis, Noa Marthe Prins, and Alina Lupu. Photo: Pieter Kers | Beeld.nu

Art Workers Library (2021–ongoing), Alina Lupu. Photo: Pieter Kers | Beeld.nu

Exhibition view Out of Office, work by Total Refusal, Mario Santamaría. Photo: Pieter Kers | Beeld.nu

Auto-sleep (2016–ongoing), Mario Santamaría. Photo: Pieter Kers | Beeld.nu

8 Hours Labour – Limited Term Appointment (2023), Sam Meech. Photo: Pieter Kers | Beeld.nu

Exhibition view Out of Office, work by Tytus Szabelski and Pilvi Takala. Photo: Pieter Kers | Beeld.nu

The Trainee (2008), Pilvi Takala. Photo: Pieter Kers | Beeld.nu

WINDOW OF OPPORTUNITY (2023), Noa Marthe Prins. Photo: Pieter Kers | Beeld.nu

WINDOW OF OPPORTUNITY (2023), Noa Marthe Prins. Photo: Pieter Kers | Beeld.nu

WINDOW OF OPPORTUNITY (2023), Noa Marthe Prins. Photo: Pieter Kers | Beeld.nu