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is a media art curator and researcher. With an interest in digital culture in all its complexity and absurdity, she explores topics such as networked image culture, digital metaphors, and human labour and productivity in the face of technology. She reflects upon these predominantly through curated programs, publications, and interventions in the exhibition space.


Marijn has worked with IMPAKT Centre for Media Culture, the Young Curators Academy, The Wrong Biennale, CIVA Festival, and Institute of Network Cultures. Currently, she studies in the Erasmus Mundus Joint Excellence Master Media Arts Cultures, at the universities of Krems (AT), Aalborg (DK), and Łódź (PL).


Architectural Filter Bubbles: On the Society for the Nonpreservation of Brutalism
Essay published at Institute of Network Cultures on 27/10/2020



What does it mean to infiltrate the other side of the argument?



Coming from the field of design, my online feeds and timelines are flooded in aesthetics. Even after carefully picking accounts to follow and pages to like, the aestheticized image keeps on slipping through. Especially the iconic black and white Brutalist picture. It isn’t completely surprising, since a particular Brutalist Facebook group holds more than 40 of my digital friends. Brutalism photography is a celebration of its architectural rigidness, there is a certain appeal to its straight lines, awkward shapes, and obvious similarities to graphic design. Is it a building or merely a fetishized image?


Further reading at networkcultures.org