Marijn Bril   Curating, Writing, Advising

About


Curatorial
How To: Living Through Instructions Garage Rotterdam, 2026

Emerging Exits. Diogenes Bunker, 2025
A system is not the sum of its parts. ACRXL, 2024
An ounce of information is worth a pound of data. ACRXL, 2024
Out of Office. IMPAKT, 2023
Are you there? MicroPOM, 2022
Anonymous Footnoteater. iMAL, 2022
Postponed Until Further Notice. Wrong Biennale, 2021–2022
In Defence of the Burning Image. imai, 2021
Nuclear Aesthetics. IMPAKT Channel, 2021

Writing (selection)
Cem A. Zentrum für Kritik und Memes. ZKM, 2024 🔗

963 Hours to Kill: Knit’s Island. Square Eyes Journal, 2023 🔗


How To: Living Through Instructions. Garage Rotterdam


Group exhibition curated as recipient of the Prize for Young Curators. Rotterdam, NL. 22.05—19.07.2026

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Effi & Amir, Tingyi Jiang, Eva & Franco Mattes, Lana Mesić, Yoko Ono, José Quintanar, Coralie Vogelaar, Erwin Wurm




To proceed, please follow the instructions carefully.Instructions are everywhere. 

From fitness routines and makeup tutorials to algorithms, official procedures, and implicit codes of conduct, they shape how we move through everyday life. At first glance, they appear as neutral tools — simply as ways to get things done. They help us operate a device, follow a workout, or complete a form correctly. At the same time, instructions translate complex realities into manageable steps, defining what counts as logical, desirable, or successful. As such, they encode cultural norms, institutional priorities, and power dynamics.

How To: Living Through Instructions
approaches instructions both as a method and as a subject of critical inquiry. Through performative strategies, illustrations, and video installations, the artists examine how instructions shape behaviour, identities, and perception. They dissect manuals, rewrite tutorials, and develop new instructions that — echoing the spirit of Fluxus — range from poetic to absurd.

What happens when an instruction is decontextualised, parodied, or deliberately distorted? The artists in this exhibition render visible the assumptions embedded in these systems, shifting instructions from fixed directives into sites of negotiation.





































Photos by Aad Hoogendoorn.