Marijn Bril   Curating, Writing, Advising

About


Curatorial
Metabolising Time. MU Hybrid Art House, 2026
How To: Living Through Instructions. Garage Rotterdam, 2026

    Emerging Exits. Diogenes Bunker, 2025
    A system is not the sum of its parts. ACRXL, 2024
    An ounce of information is worth a pound of data. ACRXL, 2024
    Out of Office. IMPAKT, 2023
    Are you there? MicroPOM, 2022
    Anonymous Footnoteater. iMAL, 2022
    Postponed Until Further Notice. Wrong Biennale, 2021–2022
    In Defence of the Burning Image. imai, 2021
    Nuclear Aesthetics. IMPAKT Channel, 2021

    Writing (selection)
    Connecting Data, Art and Location LI–MA, 2026 🔗
    Cem A. Zentrum für Kritik und Memes. ZKM, 2024 🔗

    963 Hours to Kill: Knit’s Island. Square Eyes Journal, 2023 🔗


    Ways of Sensing. instruments inventors initiative

    Performative event series. The Hague, NL.



    #1 Adam Centko, Sunjoo Lee & Ko de Beer, Stef Veldhuis

    As humans, we perceive our surroundings not only through our bodies but also through tools and interfaces that expand our perception. Ways of Sensing invites us to explore non-human modes of sensing—both technological and ecological—while examining the interactions between different beings.

    Enter a techno-ecological landscape inhabited by alien species that function as machines, shaped by natural forces. In the work of Sunjoo Lee and Ko de Beer, wind and bird migration data animate wind harps shaped like large eggs, while the beehive-like sound work by Stef Veldhuis makes the electric signals by bees audible. In Adam Centko‘s virtual simulation, a natural environment is perpetually constructed and deconstructed by human interference and the overheating of computers.











    Supported by Creative Industries Fund NL and The Municipality of The Hague. Photos by Pieter Kers | Beeld.nu