Marijn Bril   Curating, Writing, Advising

About


Curatorial
Metabolising Time. MU Hybrid Art House, 2026
How To: Living Through Instructions. Garage Rotterdam, 2026

    Emerging Exits. Diogenes Bunker, 2025
    A system is not the sum of its parts. ACRXL, 2024
    An ounce of information is worth a pound of data. ACRXL, 2024
    Out of Office. IMPAKT, 2023
    Are you there? MicroPOM, 2022
    Anonymous Footnoteater. iMAL, 2022
    Postponed Until Further Notice. Wrong Biennale, 2021–2022
    In Defence of the Burning Image. imai, 2021
    Nuclear Aesthetics. IMPAKT Channel, 2021

    Writing (selection)
    Connecting Data, Art and Location LI–MA, 2026 🔗
    Cem A. Zentrum für Kritik und Memes. ZKM, 2024 🔗

    963 Hours to Kill: Knit’s Island. Square Eyes Journal, 2023 🔗


    When I Look Through My Browser Window I Can Feel the Fresh Air. CIVA Festival

    Discursive programme with film screenings, conversations, guided walk and a workshop




    Théophile Blandet, Jean Baptiste Castel, Benjamin Earl, Anna Fink, Astrid Feringa, Sylke van der Heijden, Deborah Mora, Salvador Miranda
    From wildlife live streams to the iconic Windows XP Bliss wallpaper, and even the afterlife of animals on the internet, nature is just a click away. Overly saturated and in full HD, or pixelated and buffering, these representations of nature invite new interpretations. Networked image culture brings us closer to distant landscapes while simultaneously creating new gaps to be bridged. More than mere found footage of pristine wilderness, the nature image is socially and technologically constructed. Combining artistic and discursive perspectives, this experience lets you encounter nature safely from behind your computer screen.